Direct your AI film. Agents handle the rest.

invideo Agent Two multiplies what one director can produce. You direct in plain words. The agents read your script, lock your cast and world, and render with 200+ frontier models. Every creative call is yours.

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Creative agents

Specialist agents run prompts, model selection, references, and retakes in parallel. You make the creative calls. They carry the production.

Memory & Context

Your script, cast, approved looks, and every decision live in agent's memory. Nothing gets re-explained between sessions. Nothing drifts.

Self-evaluation

Agent checks every generation against your approved looks and rules, and redoes the misses before they reach you. Bad generations do not cost you time.

Semantic timeline editor

Say the edit: trim the scene, swap the shot, tighten the cut. The agent executes in plain words. No timeline scrubbing.

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Every model you need, in the same place.

Bring your whole creative process inside invideo, with the best image, video, audio, editing and language models on tap.

Seedance 2.5 Seedance 2.0 Kling 3.0 MiniMax H3 Runway Gen-4.5 Gemini Omni Flash Nano Banana 3 GPT Image 2.5 HappyHorse 1.0 Seedream 5.0 Pro Flux 2 Eleven Labs

Stop making clips. Start making films.

Your script becomes a production

Bring a script, an idea, a lookbook, even videos. The agent reads it, researches what's missing, and sets up the production: scenes, shots, and a plan you can change.

Cast anyone. Lock them for the whole film.

Explore looks with the agent until your lead is exactly right. One approval locks the face, outfit, and voice as a character sheet in Context. Every shot is generated and checked against it. The character holds from the first scene to the last.

Direct in plain words. Agents handle the grunt.

Say it the way you'd say it to your team: slow push-in, keep the rain, hold on her face. The agent writes the prompts, picks the right model for each shot, and runs it. The skill that matters is your taste, not prompt engineering.

Specialist agents on every job. All moving at once

Put one agent on the next scene, one on sound, one on research. They talk to each other, share the same memory, and move the production forward together. More agents, faster production.

Character consistency and continuity. Solved.

Everything you approve is saved to Context and attached to every shot. Characters, places, and look hold across the whole film. The agent catches mismatches and redoes them before they reach you.

Real camera & lens controls

Set the camera, lens, focal length, aperture, and angle on any shot. Anything you leave on Auto is the agent's creative call. Your call always overrides it.

Previs & Storyboards

See the film before you make it. The agent builds storyboards, animatics, and look explorations from your script. You direct the previs before a single production frame renders.

AI VFX

Set extensions, sky replacement, explosions, smoke, relighting, rotoscoping, de-aging, motion tracking. The agent routes each effect to the right model. No facility required.

Hybrid Filmmaking

Upload your own footage. The agent watches and understands video, then builds AI shots that match your practical material. Real and generated hold together in one cut.

Sound, Music & Stock

Cast voices, clone your own, generate a score, pull from 16M commercially cleared clips. The agent syncs voice to lip, music to cut, and sources what should not be generated.

Motion Transfer

Upload a reference for the movement, the emotion, or the look. The agent watches it, extracts what matters, and applies it across your shots. One reference sets the standard for the whole film.

Video Transformation

Upload existing footage. The agent transforms it with a new style, a new world, or a new look while keeping the structure. Your footage becomes the foundation, not the limit.

Upscale

Topaz Astra, Magnific, and specialist upscalers finish every shot to delivery resolution. The agent picks the right pass for the footage. Your output is not locked at AI quality.

Coverage

Ask for scene coverage and the agent stages it: masters, reverses, over-the-shoulders, close-ups. Scene geometry holds across the coverage set. You direct a scene, not a clip.

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