ElevenMusic

Why serious creatives choose Eleven Music

Studio-grade tracks from a text brief

Eleven Music composes finished, studio-grade tracks from natural language, and it understands musical terminology when you have it: name a BPM, a key, a chord feel, or just describe the mood, and the track comes back complete, from a three-second sting to a five-minute song.

Generates both vocals and instrumentals

Full songs with AI vocals, or clean instrumentals built for a video bed. Both come from the same brief, so the campaign track and its voiceover-safe version are two generations, not two workflows.

Vocals in multiple languages

Sung vocals generate in English, Spanish, German, Japanese, and more, so the anthem in your global campaign sings in the market’s own language.

Genre, style, and structure under your control

The track follows your shape: verse, chorus, drop, outro, where you want them, section by section, with mid-track genre transitions when the edit turns. Structure is a brief you set, not a dice roll.

Change one section, keep the song

Select a section and regenerate just that, the verse rewrites while the chorus you loved stays exactly as it was. Lyrics and sound both edit at the section level, so a good track never gets thrown away for one weak bar.

Cleared for commercial use

Eleven Music is cleared for nearly all commercial uses: film and television, ads, podcasts, social, and gaming. The track that works is a track you can actually ship.

How Eleven Music works with invideo agents

On invideo, Eleven Music runs inside an agentic workflow: when your video needs music, the agent brings the model in, turns what the scene needs into a musical brief, and delivers tracks cut to your project, for your approval. Here is what that looks like in practice.

You describe the track, the agent writes the brief.

Say it the way you would to a composer: tense, slow build, drops out at the cut. The agent translates that into the genre, tempo, structure, and dynamics Eleven Music composes from, so you direct the score without writing a musical instruction.

The track is made for the cut, not just the prompt.

Because the agent holds your whole project in memory, it briefs the model for the duration and energy the cut needs. It knows each scene’s length, its mood, and what sits on either side of it, so the track arrives fitting the video it was made for.

A note changes one section, not the whole song.

Tell the agent the bridge is too busy, and only the bridge regenerates; the rest of the track holds. Your notes work the way they would with a composer on retainer: specific, fast, and never starting over.

Your project’s sound stays consistent.

The tracks you approve live in context, your project’s memory, so the agent keeps the score coherent across scenes and videos, one sonic identity instead of a new random genre every generation.

You always stay in control.

You set how much the agent does on its own: generate everything, ask before each track, or show you every brief first. Every track that ships is one you approved.

Who is Eleven Music for?

Filmmakers and microdrama producers

A gripping background score, a theme for your lead, a build for the cut, a song for the montage: Eleven Music gets it all done.

Ad film makers

A jingle that sticks, a bed that carries the voiceover, a full score for the ad film: Eleven Music writes them all, cleared for commercial use from the start.

Game developers

A theme for the title screen, a loop for every biome, a build for the boss fight: Eleven Music gets the soundtrack done, cleared for gaming from the start.