AI Previs

Previs with invideo agents

Invideo agent builds your pre-vis from your script, your look, and your cast, so you can see the actual sequence before you spend on it. Take it to whatever depth you need, a storyboard, an animatic, or a sequence at greenlight fidelity. What took an artist a week now lands in an afternoon.

You direct the previs. The agent carries the load.

Start from wherever your project is: a script, a shot breakdown, a cast sheet, a location sheet, a look reference. The agent reads all of it and holds it in your project's memory.

From there, every pass is a direction. You call out what you are going for, and the agent picks the model, writes the prompts, and attaches the right references, to get the output you are looking for. It handles the grunt that made previs slow and the decisions stay yours.

It handles any previs your project needs

Previs is not one deliverable. You choose how deep to take it, and invideo agent works at every depth.

Need a storyboard?

Hand invideo agent your script or shot list and it boards every shot as a frame, with your characters, in your look.

Exploring looks or camera movements?

Direct the agent to run the same beat in different camera treatments, or to put your look on your character in your location before it spreads across the film. The arguments that eat weeks, are settled by watching.

Want an animatic?

The agent cuts your boarded shots in order with your narration or scratch track on top. For agencies and production houses pitching a sequence, everyone in the room finally sees the film, not just the plot.

Dealing with complex action or VFX?

For VFX and action units the agent builds every shot against your characters, your locations, and your camera moves before you committing any real money on production. The best part: all of this costs a fraction of what traditional 3D previs does.

How a previs comes together with invideo agent

1. Give it your material

Hand over what you have, a script, a shot breakdown, a cast sheet, a location sheet, references. The agent saves all of it to your project's context.

2. Lock the look

Direct one hero frame with your character, your location, your light, until it is right. The agent then builds every frame, animation, and VFX sequence after it using that as the reference.

3. Take it to the depth you need

Ask for frames, an animatic, or moving shots with the camera moves you want to test. The agent builds to whichever you called for, and a retry is just a note, everything already attached.

Your next previs starts from everything you already decided

When the next sequence needs previs, spin up a fresh agent inside the same project and it already knows everything: your characters, your locations, your look, your boards, all held in Context. Every new agent starts from your decisions, not from zero, and the next sequence moves faster than this one.