AI Previs
Previsualize your sequence before you shoot it. Direct invideo agent and get the previs your project needs, a storyboard, an animatic, or real footage of the sequence itself, at the speed you make decisions.
Previs with invideo agents
Invideo agent builds your pre-vis from your script, your look, and your cast, so you can see the actual sequence before you spend on it. Take it to whatever depth you need, a storyboard, an animatic, or a sequence at greenlight fidelity. What took an artist a week now lands in an afternoon.
You direct the previs. The agent carries the load.
Start from wherever your project is: a script, a shot breakdown, a cast sheet, a location sheet, a look reference. The agent reads all of it and holds it in your project's memory.
From there, every pass is a direction. You call out what you are going for, and the agent picks the model, writes the prompts, and attaches the right references, to get the output you are looking for. It handles the grunt that made previs slow and the decisions stay yours.
It handles any previs your project needs
Previs is not one deliverable. You choose how deep to take it, and invideo agent works at every depth.
Need a storyboard?
Hand invideo agent your script or shot list and it boards every shot as a frame, with your characters, in your look.
Exploring looks or camera movements?
Direct the agent to run the same beat in different camera treatments, or to put your look on your character in your location before it spreads across the film. The arguments that eat weeks, are settled by watching.
Want an animatic?
The agent cuts your boarded shots in order with your narration or scratch track on top. For agencies and production houses pitching a sequence, everyone in the room finally sees the film, not just the plot.
Dealing with complex action or VFX?
For VFX and action units the agent builds every shot against your characters, your locations, and your camera moves before you committing any real money on production. The best part: all of this costs a fraction of what traditional 3D previs does.
How a previs comes together with invideo agent
1. Give it your material
Hand over what you have, a script, a shot breakdown, a cast sheet, a location sheet, references. The agent saves all of it to your project's context.
2. Lock the look
Direct one hero frame with your character, your location, your light, until it is right. The agent then builds every frame, animation, and VFX sequence after it using that as the reference.
3. Take it to the depth you need
Ask for frames, an animatic, or moving shots with the camera moves you want to test. The agent builds to whichever you called for, and a retry is just a note, everything already attached.
Your next previs starts from everything you already decided
When the next sequence needs previs, spin up a fresh agent inside the same project and it already knows everything: your characters, your locations, your look, your boards, all held in Context. Every new agent starts from your decisions, not from zero, and the next sequence moves faster than this one.
Helping creatives stay creative
Multiplayer mode
Collaborate in real time with live cursors to show what everyone's working on.
Storyboarding
Turn any script or idea into a shot-by-shot plan, then tweak as needed before generating.
Script writing
Write your script inside invideo, and ask an AI co-writer for help if you'd like.
Timeline editor
Picture Premiere Pro with full AI.
Build your own agents
Create custom agents to fill specific roles like cinematographer, music designer, and more.
From solo creatives to creative enterprises
World-class investors stand behind invideo.
Backed by the firms behind Stripe, Spotify, Flipkart, and ByteDance.
Pricing
Access to 200+ image, video, audio, music models including Seedance 2.5, Veo 3.1, Kling 3.0, Nano banana pro & Elevenlabs music.
Access to top stock providers like iStock, Storyblocks & more.
Model & agent prices are subject to change.
On-demand credit top-ups available.
AI Previs FAQs
What is AI previs, and how is it different from boards, animatics or 3D previs?
AI previs is previsualization generated as moving footage from your script or breakdown, so you see a sequence cut together in hours instead of building it shot by shot. Storyboards are static frames, animatics are those frames timed to audio, and 3D previs needs assets, rigs and an artist per shot — AI previs skips the asset build and gives you motion, performance and camera in one pass.
Can invideo agent make an animatic, a narromatic or a boardomatic?
Yes, all three. An animatic is your frames timed to scratch audio to test pacing; a narromatic is narration or VO cut against imagery to test whether the story lands before visuals are locked; a boardomatic is your existing storyboard panels edited to timing and sound.
Who uses AI previs?
ADs and directors exploring treatment, agencies and production houses pitching sequences, and VFX and action teams previsualizing before the budget commits all direct invideo agent for it. The common thread is needing to see a sequence before anyone commits money to shooting it.
What do I need to start?
Whatever you already have — a breakdown, a script, sheets, or a sketched storyboard. Agent works from a rough one-line description upward; more input means tighter previs, but nothing is a prerequisite.
Can invideo agent turn my existing sketched storyboard into previs?
Yes. Upload your panels and agent reads composition, framing and shot order from them, then generates each panel as moving footage in sequence. Rough pencil sketches are enough — shot numbers or panel notes help it hold your intended order.
Can I compare camera treatments before deciding?
Yes — you can generate the same beat as multiple treatments and view them side by side before committing. Useful for settling a wide-versus-close debate or a handheld-versus-locked-off question with footage instead of argument.
Can I direct the camera moves myself?
Yes — you can draw camera moves as arrows directly on the frame, and agent reads them as the intended push, pan, tilt or track. It's the same notation you'd mark on a board, so you direct the move rather than describing it in a prompt.
How does invideo agent keep the character consistent across the previs?
The invideo agent locks each character once and reuses that reference for every shot in the previs, so your lead stays on-model across the sequence.
Is the previs accurate enough to make a greenlight decision on?
It's accurate enough for the decisions previs is meant to serve — pacing, coverage, blocking, camera language, and whether the sequence works at all. It isn't a technical plan: treat lens data, measured camera positions and stunt geometry as things to confirm in 3D previs or on a recce, not as read off the previs.
Does my previs carry over to the next sequence?
Yes, within the project. Characters, locations, lighting and camera style established in one sequence carry into the next, so a multi-sequence previs holds together instead of resetting each time.