
Previs and storyboards
See the film before you make it. The agent builds storyboards, animatics, and look explorations from your script, so you direct the previs before a single production frame renders.
Direct your AI film. Agents handle the rest. You direct in plain words. invideo agent reads your script, locks your cast and world, and renders every shot with 200+ AI models. Every creative call stays yours.
Bring a script, a lookbook, or just an idea. The agent breaks it into scenes and shots, researches what's missing, and saves it all to memory as your production bible. It flags the beat that isn't carrying and builds three versions of a scene so you can see them side by side.
Learn moreExplore looks with the agent until your lead is exactly right. One approval locks the face, outfit, and voice as a character sheet. Locations, palette, and visual rules lock the same way. The face in shot one is the face in shot forty.
Learn moreBrief it the way you'd brief your DP. Slow push-in, keep the rain, hold on her face. The agent knows blocking, coverage, and match cuts, writes the prompt, and attaches your references. The skill that matters is your taste, not prompt engineering.
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Staff it like departments. One agent on the next scene, one on sound, one on research, all reading the same production memory. Your second act runs while you're still working the first.
Learn moreEvery generation is checked against your approved looks and rules, and the misses are redone before they reach you. The agent flags a break in your bible before it generates and proposes an alternative when a take won't hold.
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Set the camera, lens, focal length, aperture, and angle on any shot. Anything you leave on Auto is the agent's call. Your call always overrides it.
Learn moreTrim the scene, swap the shot, tighten the cut. Say the edit and the agent makes it on the timeline. No scrubbing.
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See the film before you make it. The agent builds storyboards, animatics, and look explorations from your script, so you direct the previs before a single production frame renders.

Set extensions, sky replacement, explosions, smoke, relighting, rotoscoping, de-aging, motion tracking. The agent routes each effect to the right model. No facility required.

Upload your own footage. The agent watches it and builds AI shots that match your practical material, so real and generated hold together in one cut.

Cast voices, clone your own, generate a score, and pull from 16M licensed stock clips. The agent syncs voice to lips, music to the cut, and sources what shouldn't be generated.

Upload a reference for the movement, the emotion, or the look. The agent extracts what matters and applies it across your shots. One reference sets the standard for the whole film.

Give existing footage a new style, a new world, or a new look while its structure stays intact. Your footage becomes the foundation, not the limit.

Topaz Astra, Magnific, and specialist upscalers finish every shot to delivery resolution. The agent picks the right pass for the footage.

Ask for scene coverage and the agent stages it. Masters, reverses, over-the-shoulders, close-ups, with scene geometry holding across the set. You direct a scene, not a clip.
invideo agent routes each shot to the model that works best, writes the prompt it needs, and attaches your references, so you never have to learn how each one works.
invideo agent develops your idea or breaks down your script, saves it to project memory, and returns its plan for the film.
It generates each character through iterations until the face is the one in your head. The approved sheet locks as the base for every shot that character appears in.
Locations, lookdev boards, palette, and visual rules are built and locked the same way, so the film has a defined look before a single shot is generated.
invideo agent turns the script into storyboards for each setup and a shot list broken into timed beats, which you approve or change before anything generates.
Every shot is generated against your locks and checked before it reaches you. Each finished take becomes the reference for the next, so multi-cut sequences land, and anything that fails comes back diagnosed.
Takes are upscaled for the big screen and compiled into sequences you can watch as one cut. invideo agent pulls room tone from your own takes and scores to your brief. Finish inside invideo, or carry the film to Premiere Pro for the final grade and mix.
Live action, anime, 3D, or mixed. Watch them, then start yours.
How each film was directed: the brief, the locks, and the calls.
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AI filmmaking with invideo agent means uploading your script or idea once, locking your characters and world into Context, and directing every shot in plain filmmaking language while the agent handles generation, consistency, and the technical work underneath.
invideo agent locks your character sheets, locations, and visual rules into Context, its persistent production memory, and checks every generation against them. The face you cast in shot one is the face in shot forty, across sessions, scenes, and weeks.
invideo agent works across 200+ image, video, audio, and music models and picks the right one for each shot, writing the technical instructions itself. The roster updates as stronger models ship. Explore them on the models page.
Yes, at whatever depth you need. Brainstorm an idea and invideo agent structures it into acts, scenes, and beats. Bring a finished script and it builds the shot breakdown instead. Many working directors lock the script themselves and use the agent to pressure-test structure and refine dialogue.
Your production runs inside invideo agent: script, character sheets, storyboards, generation, consistency, and cut review in one place. Many filmmakers still finish the grade and mix in the edit suite they already trust, and the agent hands your film off cleanly for that.
As much as you want. Set invideo agent to ask before every action, ask only before it generates, or run free while you review. In Always Ask mode it shows you the prompt, references, model, and credit cost for each shot and waits for your approval before spending credits.
Yes. Upload your footage and stills from your shoot, and the agent uses them as references so generated shots match your color, contrast, and lighting. AI works best on wide environment shots and set extensions, while close-up performance stays with your practical camera.
Yes, for generation. Once your context is loaded, agents can generate shots, run multi-angle coverage, and batch upscales unattended. Editorial judgment stays with you, and you review and select when you're back.