Invideo today introduced Stock in Agent Two: direct access to more than 16 million premium video clips, images, and music tracks from Shutterstock, iStock, and every major premium provider, all cleared for commercial use, all pulled into the project by the agent itself.
As invideo grows into frontier intelligence for creative work, everything creatives have used invideo for comes with it. A large share of the work made on invideo has always been built with stock and real-life footage, and that work belongs in the agent too. Stock brings it in, with one fundamental upgrade: nobody searches a library anymore. The old way was scrolling pages of clips, comparing near-identical options, and downloading the least wrong one. Now the filmmaker tells the agent what the video needs, and the agent finds the relevant footage and places it in the project on its own, music bed included.
Where this changes the work:
Real-world films. When a video is about the actual world, or built on footage the filmmaker shot themselves, stock is how the B-roll gets filled. The agent pulls what the story needs and cuts it against the footage that is already there.
Documentary and explainer channels. The agent pulls real shots and archival footage and layers them over a recorded voiceover, matched to what is being said.
Brand films and pitches. Hand the agent screenshots of a product or a demo, and it finds B-roll that matches the claims on screen.
Real licensed music. The 16 million assets include licensed music tracks, and the agent lays the music bed under the video itself.
There is an economics upgrade inside the workflow too: no credits are spent generating things that already exist. If the perfect shot is sitting in a premium library, the agent pulls it, inexpensively, rather than making it from scratch. Generation goes where generation is needed. Every generation carries an edit next to it. Open the image, annotate directly on it, or select a region and direct the change: outline the element that should not be there, say remove it, and it is gone.
“You do not search an entire library of stock footage anymore,” said Vishal B, Resident Filmmaker, invideo. “You tell the agent what the project needs, and it pulls the relevant footage and puts it into the project on its own. And you are not spending credits on things that already exist. If your film lives in the real world, this is how the B-roll gets done.”
Stock follows the same principle as every release this series: the agent does the searching, the placing, and the matching, because it already holds the script and the story in Context. Everything you could do on invideo, you can still do. Just with a lot more intelligence in the room.
Stock is live now for all Agent Two users at invideo.io.
Part of 12 Days of invideo Agent Two.
About invideo
Invideo is the AI video platform for serious creatives. Its agentic platform takes projects from script to finished film, holding characters, worlds, and creative rules across an entire production. Invideo Agent One ranks first on Physion-Arc 1.0, an independent human evaluation of seven text-to-video agents across 100 cinematic prompts, scored on 16 metrics. Invideo Agent Two, the company’s frontier intelligence for creative work, powers filmmakers, studios, marketing teams, and enterprises worldwide.