Kling 3.0
Create 15-second cinematic videos with built-in audio and consistent multi-shot sequences on Kling 3.0. Just talk to invideo’s agent conversationally and let it do the prompting for you.
Why serious creatives choose Kling 3.0
Multi-shot direction
Kling 3.0 generates up to six connected shots in a single pass, and you decide how much of the directing you hand over. Describe the scene and let it intelligently plan your cuts and coverage, or specify every shot’s framing, duration, and camera move, and it executes your shot list exactly.
Native audio and lip sync
Dialogue generates with the video, not after it. Characters speak with accurate lip sync in multiple languages, dialects, and accents, and you control exactly which character delivers which line, so a dialogue scene plays complete straight out of generation.
4K generations, up to 15 seconds
Kling 3.0 renders in up to 4K and holds a single generation for 3 to 15 seconds, up from 10 in Kling 2.6. That is long enough for a full narrative beat, a setup, a turn, a reaction, to play out in one take instead of being stitched from fragments.
Multi-character coreference
Scenes with three or more characters keep every identity distinct: faces do not blend, outfits do not swap, and each character stays recognizably themselves through the action.
Character consistency
Characters and key elements keep their identity from shot to shot, and camera movement does not break the continuity: push in, orbit, or cut to a new angle, and the same face comes back.
Native text rendering
Text renders structured and legible inside the frame: signage, subtitles, packaging, price tags, dependable for ads and e-commerce visuals where the words are the point.
Reference-first generation
Kling 3.0 Omni is built reference-first. Given multi-angle images or a short video clip of a character, product, or location, it holds that identity, appearance, motion, and voice, through any scene, without subjects blending into each other.
Kling 3.0 vs Kling 2.6
Capability | Kling 3.0 | Kling 2.6 |
|---|---|---|
Native audio | Yes | No |
Multi-shot | Yes | No |
Text to video | Yes | No |
Image to video | Yes | No |
Character references | Multiple people | Limited |
Multilingual support | Yes | No |
Max duration | 15 seconds | 10 seconds |
How Kling 3.0 works with invideo agents
On invideo, Kling 3.0 runs inside an agentic workflow: the agent picks Kling for the shots it does best, writes its prompts in Kling’s own syntax, attaches your characters and voices to every generation, chains clips so continuity never breaks, and organizes it all for your approval. Here is what that looks like in practice.
The agent picks the right model intelligently.
Kling 3.0 sits on a roster of 200+ models, and the agent routes work to it where it wins: multi-shot narrative beats, dialogue that needs native lip sync, scenes where several characters share a frame. You never choose a model unless you want to, and if you have routing rules of your own, they hold for the whole project.
You direct, the agent writes the prompts.
Hand over the scene in plain filmmaking language. The agent breaks it into shots and writes Kling’s instructions in Kling’s own syntax, so the sequence generates without you ever touching a prompt.
Your production rides along on every shot.
Approve a reference image for each character, generate voices and finalize the ones that fit, and the agent saves all of it as the project’s memory. From then on, every Kling generation arrives with the right character sheets, the right voice, and your brand rules already attached, and gets checked against that memory, so your lead in scene forty looks and sounds exactly like your lead in scene one.
Continuity holds across clips.
When a clip hits Kling’s 15-second cap, the agent chains the next generation off its final frame, so shots connect into one continuous scene and nothing drifts between cuts.
You always stay in control.
You set how much the agent does on its own: let it generate everything, ask before videos, or see every prompt before it generates. That setting is yours to make, and yours to change.
Who is Kling 3.0 for?
Kling 3.0 supports cinematic, dialogue-led video generation across filmmaking, marketing, and production workflows. With invideo agents underneath it, each team gets the model without learning the machinery.
Filmmakers
Create multi-shot narrative scenes, cinematic pre-visualization, dialogue beats, and camera-directed sequences with consistent characters and native lip sync. Kling 3.0 delivers those scenes cast, blocked, and performed, finished shots rather than a rehearsal for them.
Microdrama producers
Build multi-character episodes with identities, voices, and outfits that hold across scenes. Useful for dialogue-driven vertical stories where the same cast needs to survive a season, not just one clip.
Performance Ads and UGC teams
Create creator-led UGC ads, talking-head clips, product demos, and testimonial-style variations with believable faces, voices, and lip sync. Locked personas help the same creator show up consistently across every campaign angle.
Brand and product marketers
Generate branded product films, explainers, promos, and social ads with legible text, controlled framing, and native audio. Useful when the ad needs a full narrative beat, not just a quick motion test.
Helping creatives stay creative
Multiplayer mode
Collaborate in real time with live cursors to show what everyone's working on.
Storyboarding
Turn any script or idea into a shot-by-shot plan, then tweak as needed before generating.
Script writing
Write your script inside invideo, and ask an AI co-writer for help if you'd like.
Timeline editor
Picture Premiere Pro with full AI.
Build your own agents
Create custom agents to fill specific roles like cinematographer, music designer, and more.
From solo creatives to creative enterprises
World-class investors stand behind invideo.
Backed by the firms behind Stripe, Spotify, Flipkart, and ByteDance.
Pricing
Access to 200+ image, video, audio, music models including Seedance 2.0, Veo 3.1, Kling 3.0, Nano banana pro & Elevenlabs music.
Access to top stock providers like iStock, Storyblocks & more.
Model & agent prices are subject to change.
On-demand credit top-ups available.
Kling 3.0 FAQs
What is Kling 3.0?
Wan 2.7 is priced at its original API rate like all generative models on invideo. To keep using it regularly, you'll need an active plan with credits (starting at invideo's Plus tier), since credits don't roll over and unused ones reset each month.
Can I create longer videos with Kling 3.0?
A single generation runs 3 to 15 seconds, up from 10 in Kling 2.6. On invideo, the agent chains generations past the cap, feeding each finished shot as the reference for the next, so a scene continues cleanly for as long as it needs.
Can I control styles, camera movement, or characters in Kling 3?
Yes. The multi-shot director handles camera control automatically, and locked characters and elements survive camera movement. On invideo, you direct these controls in filmmaking language and the agent translates.
Does Kling 3.0 generate audio?
Yes, natively. Character-driven dialogue with accurate lip sync, multilingual speech, dialects, and accents, with clear control over which speaker talks.
Can Kling 3.0 keep characters and objects consistent across shots?
Yes. Lock characters and key elements and they hold across shots, and multi-character coreference preserves three or more identities in one scene without merging faces or outfits. On invideo, those locks live in your production’s context, so consistency holds across the whole project.
What types of input can I use in Kling 3.0?
Text to video and image to video, plus reference-first workflows through Omni: subject references, character elements built from short clips, and audio clips for lip sync.
What video quality does Kling 3 support?
Kling 3.0 generates at up to 4K resolution, with a single clip running 3 to 15 seconds. On invideo, finished takes can also move through an upscaling pass before delivery.
Does Kling 3.0 support multiple languages for voice?
Yes. Multilingual speech with dialects and accents, and speaker-level control over who says what.
Do I need to learn Kling’s prompting to use it on invideo?
No. The agent writes to Kling in its own syntax. You brief the shot the way you would brief a crew, and the agent handles the model’s language, settings, and quirks.

