The invideo plugin for Adobe Premiere Pro imports AI-generated video assets from an invideo agent project directly into a Premiere Pro bin in one click — in a demonstrated workflow, 8 assets landed in the bin simultaneously, locally available the moment import is clicked, with no manual downloading or file management.
The plugin is a bridge between generation and editing: instead of downloading each generated clip from the browser, renaming files, and dragging them into your project, you select the assets inside your invideo agent project and click import — they appear in a Premiere Pro bin, stored locally and ready to cut immediately. In one documented production step, 8 generated video assets were imported to the bin in a single click.
What that changes in practice. Because import is one click rather than a per-file download, generating extra coverage stops being a file-management cost: the documented best practice is 3–4 options per shot so the editor has real choices on the timeline. Pair that with compartmentalized generation — one sub-agent per episode inside the invideo agent — and your post team pulls only that episode's shots into its bin instead of sorting through hundreds of generations. This pipeline is part of how a 3-person crew shipped a 10-episode microdrama series in 3 days, a workflow the team measured at 5X faster than a standard microdrama production pipeline.
Where it sits in the post workflow. The plugin is the entry point to post-production: once assets are in the bin, the documented finishing passes are an upscale (Topaz Starlight 2.5 tested strongest on faces and fabrics, and more cost-effective than Topaz Astra) and a film-grain pass in your NLE — Premiere or DaVinci Resolve — to soften the digital edges of AI footage. The plugin itself does one job: it eliminates the download-and-organize step between the invideo agent and your timeline.
Watch some of these to see what works for you:
Everything stays compartmentalized. Your post team isn't digging through 100 generations to find one shot from episode 4.
— invideo's creative team