AI VFX uses generative models to create and modify visual effects, explosions, relighting, object removal, motion. without traditional 3D software or a render farm. On invideo it lives in VFX House, where you generate a shot and then relight it, swap props, clean plates, and control motion in the same workspace.

Is AI VFX good enough for real production?

It's ready to publish for concept work, previs, social ads, and stylized shorts, and many creators ship straight from it. For high-end, VFX-heavy features, treat the output as a reference or plate and finish in tools like Nuke or After Effects. Invideo exports cleanly, so you keep full control of the final grade.

Can I edit a shot after it's generated, or do I have to re-roll?

You can edit it directly. Relight a scene, recolor it, replace or remove objects, extend the clip, and adjust motion without regenerating from scratch, so one good generation doesn't get thrown away over a small fix.

Do I need After Effects or green-screen footage?

No. You generate effects from a text prompt, a single image, or a reference clip - no green screen, no compositing degree, no render farm. External editing tools are optional for final polish, not required to make the shot.

Can I use AI VFX videos commercially?

Yes, videos you create on Invideo can be used for commercial projects like ads, client work, and monetized channels, subject to your plan and Invideo's terms. Check the pricing page for current usage limits and licensing details.

AI for Visual Effects

Generate cinematic VFX shots from a prompt or single frame. Relight scenes, swap props, extend plates, and refine motion until every detail feels right with Agent One by Invideo.

One studio. Every part of the shot.

Inpaint & Outpaint

Mask any region and repaint just that part of the frame, or outpaint to push the canvas past its original edges - widen a shot, change the aspect ratio, or fill in what the camera never captured.

Relight & Recolor

Change the time of day, swap the key light, or apply film-grade color grading after the footage is generated, no reshoot, no regeneration.

Prop Swap & Clean Plates

Replace objects in a scene or wipe them out entirely for a clean background, the way a VFX artist would, without ever opening a compositor.

Motion Control & Scene Extension

Drive full-body choreography, fight scenes, or fingertip gestures from a reference clip, then extend any shot to the length your edit needs.

Filmmakers & Creators

Make the sci-fi shot you can't afford to film. Portals, dragons, energy beams, impossible camera moves - generate the hero shot for your short, music video, or faceless channel without a green screen or a VFX crew. Lock a look with reference images, then reuse it across every shot so your sequence stays consistent instead of looking like ten different tools duct-taped together.

Marketers & Brand Teams

Turn a product photo into a scroll-stopping ad. Drop in a packshot and generate polished, on-brand scenes, then relight to match the campaign and swap props for each variant without a new shoot. Spin up dozens of ad cuts in an afternoon instead of booking studio time the budget won't cover.

VFX Artists

Previs at the speed of thought. Turn concept frames into client-ready previs and test shots before you commit a single hour in Nuke or After Effects. It's built for concepting and stylized work, so treat strong outputs as reference plates for final comp, you stay in control of the finish.

Two ways to make the shot

DIY, with AI models

Choose your engine in Agents & Models - Kling 3, Veo 3.1, Seedance 2.0, or any of 200+, then build the shot yourself in VFX House: inpaint, outpaint, relight, swap props, extend the plate, and direct motion. Full manual control over every model and every edit.

DFY, with Agent One

Describe your shot to Agent One, it picks the right model and generates the shot with the relevant visual effects. Tell it what to change and it keeps iterating until the shot matches your vision.